Contrapractice has two fundamental objectives directed at understanding and engaging the entangled enviro- climatic, techno-social, bio-pathological and geopolitical critical conditions that characterize the current paradoxical ‘state of the world’. Objective one is a re-evaluation and elaboration of the relational complexity of the current critical planetary condition – this by revising of the thinking and methods of ‘Defuturing,’ (first described in 1999, and republished by Bloomsbury in 2021). This links to objective two: the major development of the concept and agency of ‘contrapractices’ – seen and developed as means of overcoming or transforming practices that replicate and accelerate unsustainable, thus defuturing, conditions embedded in the status quo. Contrapractices are not viewed as ‘ready-to-hand’: they have to be created, but not as mere instrumental tools. Rather, as practices endowed with thought, they will exist to advance sustainment, and its transformative agency. The book communicates its argument by a series of essays, dialogues and narratives.
Tony Fry is an Australian design theorist, philosopher, educator, and writer whose work has deeply shaped discussions around design futures, sustainability, and cultural critique. He is particularly known for introducing concepts such as "defuturing," "redirective practice," and "sustainment," offering critical frameworks for reimagining the role of design amid planetary crisis. Fry has held academic positions at Griffith University, the University of Tasmania, and the Queensland College of Art, among others. His influential books include Design Futuring: Sustainability, Ethics and New Practice (2009), Becoming Human by Design (2012), City Futures in the Age of a Changing Climate (2014), Remaking Cities: An Introduction to Urban Metrofitting (with Niklaus Gutschow, 2017), Defuturing: A New Design Philosophy (2020), and The Design Futurist (2023), many of which were published by Bloomsbury. Fry’s critical work addresses the failures of industrial modernity and advocates for transformative design approaches that support long-term planetary sustainment.
Dulmini Perera is a Sri Lankan-born, U.S.-based designer, researcher, and educator whose work critically engages with architecture, urbanism, and the politics of design in the Global South. Her research focuses on the intersections of coloniality, race, environmental degradation, and spatial justice. Perera has taught at institutions such as Florida International University and Carnegie Mellon University and holds a Ph.D. in Architecture from the University of Michigan. Her work interrogates how infrastructures of modernity have reshaped landscapes and communities, particularly in postcolonial contexts. She often collaborates across disciplines to foreground decolonial, feminist, and ecological perspectives in spatial practice.